Reference material for my New Forest series of paintings; the colours in the early evening light are simply beautiful; so subtle and ethereal. I will be posting some examples of my current paintings in the next day or so; the photography should help with compositional ideas as I am working on a square format. I hope to reflect some elements of the textures and materials found in the Forest.
My 2 week residency here in the New Forest is in a studio above a blacksmiths workshop and I work every day to the accompaniment of the sounds of steel being heated, beaten and methodically shaped. Lee, pictured here, is a highly skilled craftsmen and he produces a range of very fine architectural pieces. I will show you some of his work in later posts.
This image was taken a couple of weeks ago in the grounds of Anglesey Abbey near Cambridge. For those who are interested, I used a Canon 5D2 with a 17-40 lens; the camera was on a tripod and I took 3 bracketed exposures to capture a wider range of tonal values. I only needed 2 of the files to achieve the balance I wanted between the sky and the land. The final effect was created with at least 2 additional texture layers, desaturation and selective sharpening, enhancing the illustrative quality.
This is why we must remain: if you’re undecided, here’s my final plea