Way Head Drove

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This morning the low sun cast long shadows on the road to Coveney.  The farm vehicles were busy churning up the heavy clay soil and making new tracks along the lane. My road bike with limited tyre tread added to the precarious nature of the journey. It is a beautiful time of the year in the Fenland.

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Coronation Avenue, Anglesey Abbey

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This image was taken a couple of weeks ago in the grounds of Anglesey Abbey near Cambridge. For those who are interested, I used a Canon 5D2 with a 17-40 lens; the camera was on a tripod and I took 3 bracketed exposures to capture a wider range of tonal values. I only needed 2 of the files to achieve the balance I wanted between the sky and the land. The final effect was created with at least 2 additional texture layers, desaturation and selective sharpening, enhancing the illustrative quality.

Eriswell: A Mixed Media Painting

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This is a mixed-media landscape painting on a 103cm x 76cm deep edge canvas. It is semi abstract and expressionistic in terms of technique and style. It is based on my day to day experience of living in the dramatic Fenland landscape of East Cambridgeshire in England. The heavy texture of the painting combines gesso, sand, plaster and oil paint. The material and paint is applied with a variety of tools including brushes and palette knives with the surface is built up in layers and glazes over a period of time. I have been influenced by the contemporary artists Anselm Kiefer and Gerhardt Richter.

Pymoor Fen

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In nature time is always occupied; endlessly engaged, transforming surfaces, altering appearances….. staining and corroding, layering and revealing, cleansing and encasing.

This image uses successive layers of cold wax, allowing for heavy impasto and fine incisions with a variety of tools and instruments. It is based directly on the landscape of the Fens seen within a ten mile radius of Ely cathedral. Most days I am out on my bike, cycling through this landscape in all weathers…I stop to draw, take photographs and just allow the scenes to etch into my memory.

The New Voyager

This work is inspired by the flat,expansive and mysterious landscape of the Cambridgeshire Fenland…a vast area of open skies and distant horizons, criss crossed by a lattice of artificial waterways…straight as an arrow.

I hope that viewers will be engaged by the layers of colour, texture and surface qualities of this cold wax painting and also that  they will respond to the physicality of this work, the numerous marks, striations and incisions in the cold wax material. I hope too, they will enjoy the interaction of disparate surfaces and layers and the sense of time passing through the landscape and through the painting.

This painting reflects a diverse series of influences; from the ‘art povera’ movement, through minimalism, expressionism and colour field painting.

The additional photographs provide a clearer understanding of the translucency, subtlety and rich texture of the surface.

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Detail from ‘The New Voyager’

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Till

Mixed Media painting on canvas:60 x 60 x 4cm

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This is a mixed-media landscape painting on a 60cm x 60cm deep edge canvas. It is semi abstract and expressionistic in terms of technique and style. It is based on my day to day experience of living in the dramatic Fenland landscape of East Cambridgeshire in England. The word ’till’ is interchangeable with ‘until’ and I have tried to reflect both meanings in this piece. Working with the land is about understanding time and intervals of time, it is about rhythms of activity and inactivity, of waiting, of anticipating……until. It can also refer to a vault; a place to hold treasure.

The heavy texture of the painting combines gesso, sand, plaster, marble dust, bitumen and oil paint. The material and paint is applied with a variety of tools including brushes and palette knives. The surface is built up in layers and glazes over a period of time. I have been influenced by the contemporary artists Anselm Kiefer and Gerhardt Richter.