‘Neu Wald’

This highly textured painting on a solid oak block has just been sold to a collector in Scotland. Oak has a very dense grain and provides a resilient surface for the cold wax process. A variety of tools can be used with confidence to create a range of natural textures and fine surface markings. Multiple layers of wax have been used to generate the illusion of depth and translucency.

‘Neu Wald’ (detail)

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‘Land Fall’ is an idea, not a location. In Winter, when the ground is hard underfoot, the activity of man scores pathways and coordinates on the surface. There is little or no high land in Cambridgeshire, only a gentle rise and fall of the earth, almost subliminal, to be measured in micro centimetres. This painting is a rich, textured mixed media piece on a deep edge canvas; gold and metallic paints have been added to create areas of lustre and iridescence. I have attempted to take a range of photographs, some in raking light to reveal the ever changing surface qualities.

 
Dimensions: 60cm x 60cm x 4cm on canvas

Materials: Oil and acrylic on canvas, Paper, Graphite, Bitumen, Asphalt.

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Additional layers of cold wax, deeper black tones to build contrast and depth. More removals and reinstatement, but travelling slowly in a direction I’m reasonably comfortable with. Endlessly surprised by my lack of insight into my own work, I have to leave it for a day or two before I can actually understand what I have done and need to do… If I continue working without a significant pause for assimilation and reflection (preferably a few days or maybe even a week) I become delusional. I can persuade myself that bad work is good, that the composition is dynamic, fresh and original, that the colour relationships are challenging yet harmonious……..the list of misreadings goes on…and on………….