Stone and Water

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Painting: Oil Cold Wax and Mixed Media on Canvas

Size: 80 x 80 x 2cm

This is a cold wax mixed media painting on a high quality canvas frame. It is based on my experience of the Fenland landscape. It is not a visual record of a specific place, or a celebration of a well known structure or familiar location. I am interested in surfaces and textures and the way materials can be combined to create tactile qualities. Cold wax can be applied in thin layers or heavy impasto. It can be scored, scoured and burnished like a rich stoneware ceramic glaze; it can left dry, broken, fragmented and uneven.

“Bones are patient. Bones never tire nor do they run away. When you come upon a man who has been dead many years, his bones will still be lying there, in place, content, patiently waiting, but his flesh will have gotten up and left him. Water is like flesh. Water will not stand still. It is always off to somewhere else; restless, talkative, and curious. Even water in a covered jar will disappear in time. Flesh is water. Stones are like bones. Satisfied. Patient. Dependable. Tell me, then, Alobar, in order to achieve immortality, should you emulate water or stone? Should you trust your flesh or your bones?”

Tom Robbins, Jitterbug Perfume

 

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Close up detail of the painting surfaces

Ely Cathedral

The entrance to Ely Cathedral

Visitors to the Cathedral usually enter through the great West Door in the Galilee Porch. The term ‘Galilee’ simply means a porch or entrance. The Porch is built of Barnock stone & Purbeck marble from Dorset and is an example of Early English Gothic architecture.

Highly regarded by historians and architects from all over the world for its beauty and size, Ely Cathedral is the only UK building to be listed as one of the “Seven Wonders of the Middle Ages”. Visible for miles around, the Cathedral is often referred to as “The Ship of the Fens”.

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