A traditional portrait of the artist in monochrome. These are the paintings from the first week here in Woodlands, hope you like the ‘moody’ black and white photograph taken by my daughter Louisa….it’s a good option to show the texture of the works.
This image was taken with a canon 70-200mm lens at f4
Reference material for my New Forest series of paintings; the colours in the early evening light are simply beautiful; so subtle and ethereal. I will be posting some examples of my current paintings in the next day or so; the photography should help with compositional ideas as I am working on a square format. I hope to reflect some elements of the textures and materials found in the Forest.
My 2 week residency here in the New Forest is in a studio above a blacksmiths workshop and I work every day to the accompaniment of the sounds of steel being heated, beaten and methodically shaped. Lee, pictured here, is a highly skilled craftsmen and he produces a range of very fine architectural pieces. I will show you some of his work in later posts.
Walking in the Newe Forest near Ashurst this morning I came across this colossal uprooted tree. To give you an idea of the dimensions, I am about 5′ 8″, and standing next to it, my eye level was roughly at the centre of the root system. Paul Klee often used the tree as a symbol or analogy….I am beginning to understand what he means.
‘….the descent into the earth has to do with unearthing,
however provisionally and intermittently, structures and hieroglyphs
‘constituting the archaic ground and pulsating heart of phenomena, sustaining their ongoing change. It involves remaining more intimately true to nature than naturalism,
which treats the surface superficially, failing to understand its depth.’
i.e., non-simplicity and metamorphic vitality