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This is a large mixed media painting on a 122cm x 92cm professional quality canvas. It is partly expressionistic, partly impressionistic in terms of technique and style. The media, including bitumen, thick acrylic paint and an assortment of organic debris collected from the forest floor are applied with a variety of tools including brushes and palette knives. The surface is built up in quite heavy impasto and alternately glazed over a period of time. In places, the surface has been scorched with a heat gun to create unexpected interactions of materials and paint.

I have been influenced by the contemporary artists Anselm Kiefer and Gerhardt Richter. If you have a moment, take a closer look at the detailed photographs to gain a more tangible sense of the textural qualities in this work.

Thetford Forest is the UK’s largest man made lowland forest with 18,730 hectares to explore. It was originally planted to aid the UK war effort. In common with many areas of East Anglia – including the reclaimed Fenlands – it is essentially a fictional world, artificial, planned and designed to resemble a forest. That it also happens to be an area of outstanding ‘natural’ beauty is a poetic irony. When I visited the Forest a couple of weeks ago for inspiration, I was informed by ‘Forest Rangers’ that the area I had just entered was private….I wasn’t happy but made my apologies and left. What part of rural England in the 21st Century England can we call ours?

http://www.artfinder.com/marketing/artwork/forest-0155/?scheme=dark&user_id=571453&size=large

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This is a mixed-media landscape painting on a 103cm x 76cm deep edge canvas. It is semi abstract and expressionistic in terms of technique and style. It is based on my day to day experience of living in the dramatic Fenland landscape of East Cambridgeshire in England. The heavy texture of the painting combines gesso, sand, plaster and oil paint. The material and paint is applied with a variety of tools including brushes and palette knives with the surface is built up in layers and glazes over a period of time. I have been influenced by the contemporary artists Anselm Kiefer and Gerhardt Richter.

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‘Mercurial’ is a painting I have just completed for the ‘Cambridge Envisaged’ Exhibition; the composition, structure and style closely follows the other images in the series. I have retained the square format, recurring geometric shapes and warm tonality seen in previous works. The influence of American abstract expressionism is visible in the flatness and absence of overt representation; at the same time I have tried to convey a sense of the architectural qualities of the city of Cambridge. The painting is designed as a bridge between two different vantage points, an aerial or plan view of  buildings, rivers and parks and a vertical ‘stacking’ of these interconnected and interchangeable motifs.  The Cubists kaleidoscopic rendering of physical objects and space has liberated us all to see the world through our own eyes and intuition.

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‘Mercurial’ Close up detail