This is a painting about music, rhythm and the rich aural textures and the timbre of sound. The chords and colours of the painting reflect my interest in the acoustic guitar, its tonal range and versatility. The curved and straight lines found in the shape and structure of the instrument are used to provide contrast and compositional harmony. Elements of Cubism are evident in the multi-faceted viewpoints and the intersection of foreground and background spaces.

‘Counterpoint’ 75 x 52 x 4 cm on Canvas
Detail
Detail

‘Neu Wald’

This highly textured painting on a solid oak block has just been sold to a collector in Scotland. Oak has a very dense grain and provides a resilient surface for the cold wax process. A variety of tools can be used with confidence to create a range of natural textures and fine surface markings. Multiple layers of wax have been used to generate the illusion of depth and translucency.

‘Neu Wald’ (detail)

I have just been working on a commission based on one of my recent New Forest paintings. It has taken over two months from start to completion and I am genuinely pleased with final outcome. For those of you who have worked on a commission before you will know that they can sometimes be problematic. I think it is extremely important to be clear about the nature of the painting process and to communicate this through discussion with the other party.

Each painting is inevitably unique and few artists would be able to recreate an existing painting or exact copy unless the style owed more to photographic realism and/or geometric precision. You will see from the close up details that this painting has been developed through the application of successive layers of oil paint and cold wax medium. The raised surface and tactile nature of the work embodies the textural qualities of the subject matter.

Landscape painting of a forest, heavy impasto and texture