‘Mercurial’ is a painting I have just completed for the ‘Cambridge Envisaged’ Exhibition; the composition, structure and style closely follows the other images in the series. I have retained the square format, recurring geometric shapes and warm tonality seen in previous works. The influence of American abstract expressionism is visible in the flatness and absence of overt representation; at the same time I have tried to convey a sense of the architectural qualities of the city of Cambridge. The painting is designed as a bridge between two different vantage points, an aerial or plan view of buildings, rivers and parks and a vertical ‘stacking’ of these interconnected and interchangeable motifs. The Cubists kaleidoscopic rendering of physical objects and space has liberated us all to see the world through our own eyes and intuition.
‘Mercurial’ Close up detail
Acrylic painting on canvas 100 x 100 cm
I am currently working on a series of paintings based on the city of Cambridge in the UK.
This is a multi layered mixed media acrylic painting on a high quality canvas frame. I am currently working on a series of paintings based on the city of Cambridge. I don’t believe that we can ever really know a particular place or location, not in a purely objective way, not even through the ‘impartiality’ of a camera lens. There are so many different ways of seeing, understanding and interpreting; our view of the world is a subjective, personal experience.
I have developed these paintings through a sort of conversational process, an exchange of ideas and thoughts; of talking and listening. What you see here is the result of many such conversations; a constant give and take between what I think I have to say as a painter and what the painting has to say to me. The painting often contradicts me and frequently suggests that I may be mistaken in my views. Out of consideration for my feelings it may abruptly suggest alternative ways of progressing. I sometimes delude myself into thinking I am directing the conversation but I know that this human activity of ‘painting’ is a joint construction, a combined effort. What you see here is a partnership between planning and accident, conceit and humility, confidence and deflation, wisdom and foolishness, a conversation between friends……we were just talking about the city…..I expect the conversation will continue.