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I stumbled across this ready-made Christo in the grounds of Anglesey Abbey, near Cambridge. I think they would be delighted.

 

‘When Christo began to wrap objects in 1958, he used everyday objects such as shoes, telephones and empty paint cans to make his sculptures. Once wrapped, the objects would take on a new identity. By wrapping them, he would reveal some of the most basic features and proportions of the object by concealing the actual item. Christo and Jeanne-Claude later expanded this idea in projects such as The Pont Neuf Wrapped and the Wrapped Reichstag, but on a much larger scale. While the intricate details of the structures are hidden, the essence of the structures are revealed all the while making the imposing and solid structure seem airy and nomadic’.

‘The use of real fabric also gives the work a fragile, sensual and temporary character while wrapping objects is definitely an important part of their œuvre, Christo and Jeanne-Claude have done very few wrappings in comparison to their whole portfolio of artworks. It is easier for some to grasp the wrapping concept and refer to their artworks entirely as “wrapping,” but the work is more about altering an environment than wrapping – which is only one way to do that. The last time the artists had an idea for a wrapping was in 1975, when they had the idea of wrapping the Pont-Neuf in Paris, ten years before they realized the work of art.’

http://christojeanneclaude.net/faq

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This image was taken a couple of weeks ago in the grounds of Anglesey Abbey near Cambridge. For those who are interested, I used a Canon 5D2 with a 17-40 lens; the camera was on a tripod and I took 3 bracketed exposures to capture a wider range of tonal values. I only needed 2 of the files to achieve the balance I wanted between the sky and the land. The final effect was created with at least 2 additional texture layers, desaturation and selective sharpening, enhancing the illustrative quality.

Ely Cathedral

This photograph consists of 4 high resolution digital files; they have been combined to create a highly detailed recording of the Gothic cathedral of Ely. This image can be printed to poster scale without loss of resolution. The sky has been removed to create a strong graphic quality and to focus attention on the rich shapes and elaborate structure of the façade.

New video of me painting in my art studio and playing the banjo in claw hammer style. I hope you like it!

Tweet me @petecorrart

Mixed Media painting on canvas:60 x 60 x 4cm

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This is a mixed-media landscape painting on a 60cm x 60cm deep edge canvas. It is semi abstract and expressionistic in terms of technique and style. It is based on my day to day experience of living in the dramatic Fenland landscape of East Cambridgeshire in England. The word ’till’ is interchangeable with ‘until’ and I have tried to reflect both meanings in this piece. Working with the land is about understanding time and intervals of time, it is about rhythms of activity and inactivity, of waiting, of anticipating……until. It can also refer to a vault; a place to hold treasure.

The heavy texture of the painting combines gesso, sand, plaster, marble dust, bitumen and oil paint. The material and paint is applied with a variety of tools including brushes and palette knives. The surface is built up in layers and glazes over a period of time. I have been influenced by the contemporary artists Anselm Kiefer and Gerhardt Richter.