This painting is part of the geometric tradition of abstraction and is reminiscent of the ‘hard edge’ American abstract painters of the 50’s and 60’s. The colour is applied with a glazing and staining method using successive layers and washes, enhancing both depth and luminosity. Spatial qualities are carefully controlled with certain vertical columns alternately advancing and receding. The addition of iridescent gold paint contrasts directly with the blues, reds and purples of the surrounding space. In different lighting conditions, the metallic and reflective surfaces radiate light.
Working with acrylic is a very different experience from oils. Somehow, the colours are more saturated and intense. This piece is at a critical stage…I haven’t decided yet whether it is finished. We will see.
I tend to use materials in experimental ways, often going against traditional principles and recommendations. This particular painting uses a wide variety of tools and materials, some conventional, much less so. The list of media includes, oil, cold wax, bitumen, acrylic, chalk, pumice, tissue paper and card. The tools range from palette knives to barbecue skewers. In my next post, I will take you through the process from beginning to end.
Just completed setting up the exhibition last night at the Locker Cafe. Many thanks to John, the owner of the Locker art cafe for his assistance with the hanging process. I will visit the cafe over the coming weekend when it is busy and full of customers… Maybe take a video to give you an idea of the overall layout and lively atmosphere. Don’t forget, if you are in town, take a break from your shopping, have a coffee, a bite to eat…enjoy the artwork.