Submerged agricultural land is quite common at this time of year in the Cambridgeshire Fenlands but I am always struck by the sheer incongruity of scenes like this. This image was taken near the village of Earith and shows the impact of controlled flooding from The River Great Ouse.
Leaving Mile End Road, just after the village of Prickwillow and following the River Lark for a mile or so, you find a part of the Fenland that is very much off the beaten track. In the fog, the landscape takes on a different mantle and there is a genuine sense of remoteness and isolation. There must be more telegraph poles here than any other area of the UK, and in the soft peat soils of the Cambridgeshire Fenlands they take on a range of jaunty angles. As a mere beginner, just deviating from the perpendicular, it will be a long and epic journey for this pole to reach the customary 30 or 40 degrees.
Lumix G9 Olympus 12-40 mm f2.8
Just south of Primrose Hill Farm, where Poplar Drove becomes Hale Fen Road, I caught sight of a farm building on the far horizon. I left the car at the side of the track and walked for half a mile across open fields, crunching the wheat stubble and water logged ground beneath my boots. The watery sun was catching the gable end of the barn, and a halo of soft light animated the space around the buildings. I took a series of photographs whilst walking towards the farm and kept my fingers crossed the fast changing skies would leave a window of opportunity. The photograph published here here was one of a series I took at Hale Fen this morning.
Lumix G9 Olympus 12-40 mm f2.8
This painting based on Somersham Fen has been created using oil and cold wax medium on a canvas stretcher. The intense yellow of rapeseed dominates the Fenlands at certain times of the year; it saturates the retina. For a painter, the task is to capture the overwhelming power of colour and yet also retain structure and form in the painting. The heavy impasto of cold wax helps to establish the solidity and sculptural qualities of the landscape near the Fenland village of Somersham.
‘We associate yellow with warmth, sunshine, and positivity. Bright yellow is an attention-getter, and its contrast with black is the most visible color combination.
‘Despite its association with cheerfulness and warmth, yellow carries a surprising number of negative connotations. Yellow is a symbol of cowardice, of sickness, and of mental illness. It’s the color of sensationalism and even of excess. Vibrant yellow is typically used with caution by designers, though paler yellows can certainly have a modest uplifting effect. Too much bright yellow can easily overwhelm a project’. source: The Meaning of Colour
The Fenlands are highly productive agricultural land and at this time of year, farmers can be seen ploughing and tilling the earth in readiness for the next year. The tilling blades comb the topsoil, mixing and aerating as they are dragged across the fields. I have used plaster, oil and cold wax medium, alternately scoring and layering the materials to recreate the furrowed surface. The late evening light at this time of year has a warm soft glow that I have tried to capture with gold iridescent paint.