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Close up details of the surface of the painting

 

This work is inspired by the flat,expansive and mysterious landscape of the Cambridgeshire Fenland…a vast area of open skies and distant horizons, criss crossed by a lattice of artificial waterways…straight as an arrow.

I hope that viewers will be engaged by the layers of colour, texture and surface qualities of this cold wax painting. I hope that they will respond to the physicality of this work, the numerous marks, striations and incisions in the cold wax material.I hope they will enjoy the interaction of disparate surfaces and layers and the sense of time passing through the landscape and through the painting.

This painting reflects a diverse series of influences; from the ‘art povera’ movement, through minimalism, expressionism and colour field painting.

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Returning from the Norfolk Coast on the Southery Road there is an isolated, abandoned farmhouse. It is beautiful in its simplicity and architectural understatement.

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Landford is a large mixed media painting on a 122cm x 92cm professional quality canvas. It was produced from studies created during my residency in the New Forest; the work is partly expressionistic and impressionistic in terms of technique and style. The medium is cold wax and oil paint applied with a variety of tools including brushes and palette knives. The surface is built up in heavy impasto and alternately glazed over a period of time.

I have been influenced by the contemporary artists Anselm Kiefer and Gerhardt Richter. If you have a moment, take a closer look at the detailed photographs to gain a more tangible sense of the textural qualities in this work.

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I stumbled across this ready-made Christo in the grounds of Anglesey Abbey, near Cambridge. I think they would be delighted.

 

‘When Christo began to wrap objects in 1958, he used everyday objects such as shoes, telephones and empty paint cans to make his sculptures. Once wrapped, the objects would take on a new identity. By wrapping them, he would reveal some of the most basic features and proportions of the object by concealing the actual item. Christo and Jeanne-Claude later expanded this idea in projects such as The Pont Neuf Wrapped and the Wrapped Reichstag, but on a much larger scale. While the intricate details of the structures are hidden, the essence of the structures are revealed all the while making the imposing and solid structure seem airy and nomadic’.

‘The use of real fabric also gives the work a fragile, sensual and temporary character while wrapping objects is definitely an important part of their œuvre, Christo and Jeanne-Claude have done very few wrappings in comparison to their whole portfolio of artworks. It is easier for some to grasp the wrapping concept and refer to their artworks entirely as “wrapping,” but the work is more about altering an environment than wrapping – which is only one way to do that. The last time the artists had an idea for a wrapping was in 1975, when they had the idea of wrapping the Pont-Neuf in Paris, ten years before they realized the work of art.’

http://christojeanneclaude.net/faq

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Coveney is a village north of Cambridge in Cambridgeshire in the UK. It is part of the Cambridgeshire Fenlands, an extensive flat terrain of fertile agricultural land once flooded but systematically reclaimed with the help of Dutch drainage engineers. I frequently cycle along these narrow and uneven roads, avoiding the pools of water and stretches of mud churned up by fleets  of farm vehicles that criss cross the fens at this time of year. When I see something of interest, I stop and capture the scene with my camera.

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This morning the snow fell in Ely all morning, quite unusual in this part of the country. The snowflakes have started to dissolve the façade of the building, the close up shots reminds me of Monet’s Rouen Catherdral.

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This morning the low sun cast long shadows on the road to Coveney.  The farm vehicles were busy churning up the heavy clay soil and making new tracks along the lane. My road bike with limited tyre tread added to the precarious nature of the journey. It is a beautiful time of the year in the Fenland.