I stumbled across this ready-made Christo in the grounds of Anglesey Abbey, near Cambridge. I think they would be delighted.
‘When Christo began to wrap objects in 1958, he used everyday objects such as shoes, telephones and empty paint cans to make his sculptures. Once wrapped, the objects would take on a new identity. By wrapping them, he would reveal some of the most basic features and proportions of the object by concealing the actual item. Christo and Jeanne-Claude later expanded this idea in projects such as The Pont Neuf Wrapped and the Wrapped Reichstag, but on a much larger scale. While the intricate details of the structures are hidden, the essence of the structures are revealed all the while making the imposing and solid structure seem airy and nomadic’.
‘The use of real fabric also gives the work a fragile, sensual and temporary character while wrapping objects is definitely an important part of their œuvre, Christo and Jeanne-Claude have done very few wrappings in comparison to their whole portfolio of artworks. It is easier for some to grasp the wrapping concept and refer to their artworks entirely as “wrapping,” but the work is more about altering an environment than wrapping – which is only one way to do that. The last time the artists had an idea for a wrapping was in 1975, when they had the idea of wrapping the Pont-Neuf in Paris, ten years before they realized the work of art.’
This photograph consists of 4 high resolution digital files; they have been combined to create a highly detailed recording of the Gothic cathedral of Ely. This image can be printed to poster scale without loss of resolution. The sky has been removed to create a strong graphic quality and to focus attention on the rich shapes and elaborate structure of the façade.
New video of me painting in my art studio and playing the banjo in claw hammer style. I hope you like it!
Tweet me @petecorrart
Cambridge Open Studios will be taking place over the next 4 weekends and this is a fantastic opportunity to have a chat with some of the local artists in the county and look at their work. I will be opening my ‘garage’ – seems a little grandiose to call it a studio – for the next two weekends from 11am until 6 pm Saturday and Sunday. Everyone is welcome to come and see what I have been producing over the last copule of years. I will also have some of my photographic work on display alongside the paintings.
The shot above was taken today…just trying to organise the space as you can see…if you do drop in, just be careful of the wet paint!
This is a large acrylic painting on a 122 cm x 72 cm professional quality canvas. It is semi abstract in terms of technique and style. It is based on the rhythms and cycle of growth seen in nature. There is a spiralling arc of movement…….. upwards towards the light. The surface is built up in heavy impasto layers, these are combined with tissue, leaves, newsprint and card. Additional translucent glazes have been added over time. I have been influenced by the contemporary artists Anselm Kiefer and Gerhardt Richter.
Interviewer Frankie Lowe of Cambridge TV discussing the new exhibition ‘Cambridge Envisaged’ with Peter Corr at the Michaelhouse Centre today. The interview can be seen on Thursday evening and also includes talks with artists Paul Janssens and Caroline Forward.
Details of the upcoming exhibition of work by Caroline Forward, Peter Corr and Paul Janssens in the November issue of the Cambridge Magazine.