Pieter Bruegel (The Elder) a Flemish Renaissance painter was undoubtedly a visionary artist……..this work on linen was completed in 1568. Astonishing foresight.
Language is a wonderful invention, the moment we are presented with a new word, meanings shift and change, conjuring a world of ideas and thoughts. This painting is a patchwork of shapes inspired by the work of the Swiss artist Paul Klee. It uses geometric shapes, intense tonal contrast and iridescent highlights. There is a suggestion of land enclosures, rivers, lakes and isolated dwellings. There is also a strong sense of rhythm and chord like sequences of colour. It is designed to be warm, uplifting and meditative. I loved the process of creating it.
The geometric forms in Paul Klee’s compositions have always fascinated me. There is a natural rhythm to his paintings and a disarming simplicity. They look like brightly coloured patchwork quilts. A love of music influenced him, and the recurring motifs and shapes are reminiscent of chordal and harmonic structures. This is a work in progress and I am continuing to experiment with tonal contrast and scale.
A painting inspired by the warmth and vibrancy of the Sun. For me, the shapes and colours of this work on hand made paper reflect the exuberance and optimism of Summer; the light, warmth and energy, the sheer delight in the here and now. Coiled, curved and spiralling geometric lines celebrate visual contrast and compositional harmony. The optical interplay of foreground and background space tricks the eye and intrigues the mind. I hope you like the finished piece.
It would be a minor miracle to achieve a small percentage of Umberto Boccioni’s creative output in 66 years…. well 67 years to be precise.
“We shall sing the great masses shaken with work, pleasure, or rebellion; we shall sing the multicoloured and polyphonic tidal waves of revolution in the modern metropolis.” The Founding and Manifesto of Futurism. Marinetti
The influence of Cubism on the Futurist painter Boccioni is apparent in this detail from the painting ‘Elasticity’ (below) and the watercolour study (above). For me, the art world has not moved significantly beyond Cubism in the last 100 years. Cubism established the dissolution of space and time, Futurism added a dynamic context focusing on kinetics.
Once you have decided that the world is multi-faceted and in constant motion, the notion of a fixed viewpoint collapses under the weight of reason and quantum physics. Time waits for no man. Experimental artists, painters, photographers and filmmakers continue to ‘push’ against a wide-open door. The horse has long since bolted.
The Cubists penetrated the illusionistic space of the canvas, and from that moment on, the only way back was a harmless preoccupation with design and a modicum of self-delusion. But why worry, it has kept us all therapeutically occupied ever since.