Pieter Bruegel (The Elder) a Flemish Renaissance painter was undoubtedly a visionary artist……..this work on linen was completed in 1568. Astonishing foresight.
The geometric forms in Paul Klee’s compositions have always fascinated me. There is a natural rhythm to his paintings and a disarming simplicity. They look like brightly coloured patchwork quilts. A love of music influenced him, and the recurring motifs and shapes are reminiscent of chordal and harmonic structures. This is a work in progress and I am continuing to experiment with tonal contrast and scale.
This is one of a series of acrylic paintings on hand made 300 gsm paper and I’m enjoying the immediacy of working on this high quality textured surface. The shapes and colours of the painting show exuberance and optimism and a delight in the here and now. The curved and straight lines celebrate visual contrast and compositional balance. There is a flowing movement from left to right across the picture plane, which together with the warm colours begins to explain the choice of title. You will no doubt see elements of both Cubism and Futurism in the multi-faceted viewpoints and the intriguing interplay of foreground and background spaces.
A painting inspired by the warmth and vibrancy of the Sun. For me, the shapes and colours of this work on hand made paper reflect the exuberance and optimism of Summer; the light, warmth and energy, the sheer delight in the here and now. Coiled, curved and spiralling geometric lines celebrate visual contrast and compositional harmony. The optical interplay of foreground and background space tricks the eye and intrigues the mind. I hope you like the finished piece.
‘Abstract art is art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colours, forms and gestural marks to achieve its effect’
I’m really enjoying working with the brilliance and immediacy of acrylic paint. After using oil and cold wax for most of my recent large scale pieces the ability to create imagery so swiftly and spontaneously is a delight and a revelation. Complementary colour contrast is the guiding principle for this series of paintings and the influence of Cubism is clearly evident in the multiple facets and repetition of geometric shapes. I haven’t yet decided how far to push this study and there is always the ever-present danger of overcooking the various ingredients, only time will tell. Let me know your thoughts, I would love to hear them.