This photograph consists of 4 high resolution digital files; they have been combined to create a highly detailed recording of the Gothic cathedral of Ely. This image can be printed to poster scale without loss of resolution. The sky has been removed to create a strong graphic quality and to focus attention on the rich shapes and elaborate structure of the façade.
Many medieval churches and buildings in northern Cyprus are being looted or destroyed, according to a report issued last month (2009) by the Commission on Security and Cooperation in Europe, an agency of the United States government.
The report, “Cyprus’ Religious Cultural Heritage in Peril” was authored by Byzantine art history experts Dr. Charalampos Chotzakoglou and Dr. Klaus Gallas, as well as by the journalist Michael Jansen, who has written the book “War and Cultural Heritage: Cyprus After the 1974 Turkish Invasion”. They claim that the Turkish Republic of Northern Cyprus, which rules the northern third of the island, and the Turkish military, have been supporting the removal of artifacts from abandoned Christian churches and selling them internationally.
From ‘Medieval and Ancient History News’
This is a photograph of the interior of Agios Georgios Church, in the village of Kaplica in Northern Cyprus.
Steam rising from horse after 2 wheel gig race in central London
The Karl Theodor Bridge, commonly known as the Old Bridge, is a stone bridge in Heidelberg, crossing the Neckar River. It connects the Old City with the eastern part of the Neuenheim district of the city on the opposite bank.
‘Mercurial’ is a painting I have just completed for the ‘Cambridge Envisaged’ Exhibition; the composition, structure and style closely follows the other images in the series. I have retained the square format, recurring geometric shapes and warm tonality seen in previous works. The influence of American abstract expressionism is visible in the flatness and absence of overt representation; at the same time I have tried to convey a sense of the architectural qualities of the city of Cambridge. The painting is designed as a bridge between two different vantage points, an aerial or plan view of buildings, rivers and parks and a vertical ‘stacking’ of these interconnected and interchangeable motifs. The Cubists kaleidoscopic rendering of physical objects and space has liberated us all to see the world through our own eyes and intuition.
‘Mercurial’ Close up detail
The entrance to Ely Cathedral
Visitors to the Cathedral usually enter through the great West Door in the Galilee Porch. The term ‘Galilee’ simply means a porch or entrance. The Porch is built of Barnock stone & Purbeck marble from Dorset and is an example of Early English Gothic architecture.
Highly regarded by historians and architects from all over the world for its beauty and size, Ely Cathedral is the only UK building to be listed as one of the “Seven Wonders of the Middle Ages”. Visible for miles around, the Cathedral is often referred to as “The Ship of the Fens”.
I thought I would tell you something about my working process. My studio is a partially converted garage; I used to work alongside bikes, washing machines, lawnmowers and assorted gardening equipment but since I started to work on a larger scale, this became increasingly problematic. I was also receiving too many complaints about the paint marks on the ‘white goods’. Every painter needs space!
The inspiration for this series – based on the city of Cambridge – came from my many visits to the town. As a photographer, I must have taken literally hundreds of photographs of the streets and college buildings and I believe I know the city extremely well. I have always admired the paintings of German artist Anselm Kiefer and I am aware that he often begins many of his large scale pieces by working over photographs. I began each of these paintings by working over small monochrome prints, using them as a sort of visual trigger or catalyst. I also included a range of collage elements to generate compositional possibilities and ideas. The fact that none of the original photographs are visible in the final painting is immaterial; they played the important role of ‘icebreaker’ and opened the way for new avenues to be explored.
This fascinating ‘gravity defying’ sculpture by Anthony Gormley is located in one of the streets at the centre of Eton College. Wonderful though it certainly is, I just wonder how many sculptures by successful international artists are placed in more prosaic, less privileged environments. If you know of any, please let me know, I really am interested. We could start a balanced collection.