I just can’t resist the aesthetic of abandoned buildings. Yes, I know it’s a photographic cliche but there was something about this particular building that caught my attention. This was a house that had surrendered to the inevitable, engulfed by weeds and brambles and sinking beneath a tidal wave of vegetation, yet somehow it remained stoic and dignified. A personification of managed decline and acceptance in stone and slate.
For the photographers amongst you, I agree, I should have used a graduated filter or at least bracketed the exposure for the sky. On the plus side, the bleached out sky emphasises the symmetry and shape of the house.
Gyles’ Quay is an isolated stretch of beach located 1 km south of the R173/R175 road on the Cooley Peninsula in the north of County Louth in Ireland. It was named after Ross Gyles who built a wood structure there in 1780. It was later rebuilt in stone in 1824 and survives to this day.
I have been looking through some old hard drives and came across a set of images from a visit to Hong Kong. This was taken in 2006 with a Canon 40D and 50mm f1.8 lens. Hong Kong is a very exciting city and nothing short of paradise for a street photographer. I’ll keep checking through the various files and folders and see what else I have in storage.
The late afternoon sun transforms an ordinary scene. Windows and doorways become dark rectangular shapes and intense sunlight reflects from plaster walls. In these images of geometry and order I see echoes of the surrealist Magritte, the mysterious city streets of the Italian artist Giorgio De Chirico and the cool detachment of the American painter, Joseph Albers.
For those of you also interested in the technical aspects of photography this image was taken on a Fuji X100s using the excellent Fuji Acros film simulation setting.
Please feel free to share your own thoughts and ideas.
River City is a mixed media acrylic painting on a canvas frame. It belongs to a series of paintings loosely based on the city of Cambridge. We can never really know a particular place or location, not in a purely visual sense, not even through the so called objectivity objectivity of the camera lens. There are so many different ways of seeing, understanding and interpreting; our view of the world is a subjective, personal experience. It changes as we change. The Cubists new a thing or two about perception.
I developed this painting through an exchange of ideas, thoughts and materials, you could call it a dialogue. What you see here is the result of many ‘conversations’, a constant give and take between what I think I have to say as a painter and what the painting says to me. A painting will invariably contradict me and tell me I am mistaken, on the wrong track. Sometimes, I delude myself into thinking I am in charge but I know my place; ‘painting’ is a collaboration, a combined effort, an ongoing debate. What you see here is a partnership between planning and accident, conceit and humility, confidence and deflation, wisdom and foolishness, seeing and not seeing.
This morning the snow fell in Ely all morning, quite unusual in this part of the country. The snowflakes have started to dissolve the façade of the building, the close up shots reminds me of Monet’s Rouen Catherdral.
This photograph consists of 4 high resolution digital files; they have been combined to create a highly detailed recording of the Gothic cathedral of Ely. This image can be printed to poster scale without loss of resolution. The sky has been removed to create a strong graphic quality and to focus attention on the rich shapes and elaborate structure of the façade.
Many medieval churches and buildings in northern Cyprus are being looted or destroyed, according to a report issued last month (2009) by the Commission on Security and Cooperation in Europe, an agency of the United States government.
The report, “Cyprus’ Religious Cultural Heritage in Peril” was authored by Byzantine art history experts Dr. Charalampos Chotzakoglou and Dr. Klaus Gallas, as well as by the journalist Michael Jansen, who has written the book “War and Cultural Heritage: Cyprus After the 1974 Turkish Invasion”. They claim that the Turkish Republic of Northern Cyprus, which rules the northern third of the island, and the Turkish military, have been supporting the removal of artifacts from abandoned Christian churches and selling them internationally.
From ‘Medieval and Ancient History News’
Thisis a photograph of the interior of Agios Georgios Church, in the village of Kaplica in Northern Cyprus.