I have recently been sketching with an Apple pencil, iPad, and the software, ProCreate. I have to say I’m very impressed with the flexibility and ease of the system. I know it doesn’t have the ultimate aesthetic qualities of graphite and the tactility of a paper surface, but the experience of drawing digitally has a great deal to recommend it. I did a series of illustrations a few years ago using Photodhop and aWacom tablet which was ok but the disconnect between the pen, tablet and screen took a while to navigate. Drawing directly on the ipad has far greater convenience and simplicity and so far…its been great fun! If you are an artist or illustrator and have experience of Pro Create I would love to know your thoughts. I have a lot to learn.
Fish (fly-replete, in depth of June,
Dawdling away their wat’ry noon)
Ponder deep wisdom, dark or clear,
Each secret fishy hope or fear.
Fish say, they have their Stream and Pond;
But is there anything Beyond?
This life cannot be All, they swear,
For how unpleasant, if it were!
One may not doubt that, somehow, Good
Shall come of Water and of Mud;
And, sure, the reverent eye must see
A Purpose in Liquidity.
We darkly know, by Faith we cry,
The future is not Wholly Dry.
Mud unto mud! – Death eddies near –
Not here the appointed End, not here!
But somewhere, beyond Space and Time
Is wetter water, slimier slime!
And there (they trust) there swimmeth One
Who swam ere rivers were begun,
Immense, of fishy form and mind,
Squamous, omnipotent, and kind;
And under that Almighty Fin,
The littlest fish may enter in.
Oh! never fly conceals a hook,
Fish say, in the Eternal Brook,
But more than mundane weeds are there,
And mud, celestially fair;
Fat caterpillars drift around,
And Paradisal grubs are found;
Unfading moths, immortal flies,
And the worm that never dies.
And in that Heaven of all their wish,
There shall be no more land, say fish.
Rupert Brooke’s ‘Heaven’, composed in 1913
Pieter Bruegel (revisited)
This is a departure from my usual work, but I thought you might enjoy this adaptation of Pieter Bruegel’s famous painting ‘The Peasant Wedding’.
This painting is currently on view at the exhibition at Storey’s Field Centre in Cambridge at Eddington Ave, Cambridge CB3 1AA .
This painting, as with many of my recent pieces, has been inspired by my residency in the New Forest in England. The title refers to the sense of architectural power conveyed by the towering, magnificent columns of ancient trees. For me, the forest does indeed represent an authentic spiritual temple and is a precursor to all of our man made structures.
The medium is oil and cold wax. I hope the additional detail photographs will allow you to see the complexity of the surface texture within the darkness of the forest undergrowth.
Cambridge Open Art Exhibition Top Twenty
Thursday 24th October – 21st November
Mondays 09:00 to 20:00
Tuesdays 09:00 to 20:00
Wednesdays 09:00 to 20:00
Thursday to Sunday times vary depending on other bookings at the Centre.
Gap of Dunloe, Black & White Lustre PrintFuji C-Type Lustre 20 x 16 inches
Please email for different sizes firstname.lastname@example.org