This is a large acrylic work exploring the possibility of creating the illusion of movement in painting. I am always in two minds about using acrylic and I often find myself switching to oil paints after a period of time. (Please note, you can make the change if the oil paint layer is applied after the acrylic, not the other way around). To be accurate, you can break the rules and add acrylic to an oil base but the results can be unpredictable and tend to make the top layer unstable. The secret for me is not to judge a work completed in acrylics by the same criteria as a painting completed in oils. I have never been able to replicate the natural qualities of oil paint in acrylics and the use of acrylic mediums will only take you so far. However, they are fantastic for making bold statements in colour.
The influence of the Italian Futurists can be seen in this work and I’m currently building translucent layers with the addition of a slow drying agent and various glazing mediums. Speed and confident execution are key in maintaining freshness and immediacy on this scale. I have literally been dancing in front of the canvas in a style reminiscent of Irish stepdance, albeit with my feet anchored to the ground and my arms flailing like a whirling dervish. Let’s see how it develops…those white areas are definitely too strident at the moment.