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Peter Corr

A R T I S T & P H O T O G R A P H E R

cathwit5h birds

I added some details to this composite image; birds circling the tower. I think it works better than the previous shot.

 

 

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Ely Cathedral

This photograph consists of 4 high resolution digital files; they have been combined to create a highly detailed recording of the Gothic cathedral of Ely. This image can be printed to poster scale without loss of resolution. The sky has been removed to create a strong graphic quality and to focus attention on the rich shapes and elaborate structure of the façade.

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Many medieval churches and buildings in northern Cyprus are being looted or destroyed, according to a report issued last month (2009) by the Commission on Security and Cooperation in Europe, an agency of the United States government.

The report, “Cyprus’ Religious Cultural Heritage in Peril” was authored by Byzantine art history experts Dr. Charalampos Chotzakoglou and Dr. Klaus Gallas, as well as by the journalist Michael Jansen, who has written the book “War and Cultural Heritage: Cyprus After the 1974 Turkish Invasion”. They claim that the Turkish Republic of Northern Cyprus, which rules the northern third of the island, and the Turkish military, have been supporting the removal of artifacts from abandoned Christian churches and selling them internationally.

From ‘Medieval and Ancient History News’

This is a photograph of the interior of Agios Georgios Church, in the village of Kaplica in Northern Cyprus.

New video of me painting in my art studio and playing the banjo in claw hammer style. I hope you like it!

Tweet me @petecorrart

This is a much smaller painting on a 15 x 15 x 4cm oak block. It has a reassuring weight and presence.

Oil and cold wax on wood

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This work is inspired by the flat,expansive and mysterious landscape of the Cambridgeshire Fenland…a vast area of open skies and distant horizons, criss crossed by a lattice of artificial waterways…straight as an arrow.

I hope that viewers will be engaged by the layers of colour, texture and surface qualities of this cold wax painting and also that  they will respond to the physicality of this work, the numerous marks, striations and incisions in the cold wax material. I hope too, they will enjoy the interaction of disparate surfaces and layers and the sense of time passing through the landscape and through the painting.

This painting reflects a diverse series of influences; from the ‘art povera’ movement, through minimalism, expressionism and colour field painting.

The additional photographs provide a clearer understanding of the translucency, subtlety and rich texture of the surface.

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Detail from ‘The New Voyager’

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untitled (15 of 16)

Cambridge Open Studios will be taking place over the next 4 weekends and this is a fantastic opportunity to have a chat with some of the local artists in the county and look at their work. I will be opening my ‘garage’ – seems a little grandiose to call it a studio – for the next two weekends from 11am until 6 pm Saturday and Sunday. Everyone is welcome to come and see what I have been producing over the last copule of years. I will also have some of my photographic work on display alongside the paintings.

The shot above was taken today…just trying to organise the space as you can see…if you do drop in, just be careful of the wet paint!

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